Impressionist Paintings as Documents of Paris Capital of Modernity Ess

Impressionist Paintings as Documents of Paris Capital of Modernity Impressionist paintings can be considered documents of Paris capital of modernity to a great extent. This can be seen in their subjects, style of painting, and juxtaposition of the transitive and the eternal. The phrase Paris capital of modernity refers to the time in the second half of the nineteenth century when Paris was considered one of the most innovative cities in the world. This was largely a result of Haussmann’s renovation of the city between 1851 and 1869. A Prefect of Paris under Napoleon III, he transformed Paris into a city with wide streets, new shops and cafes, and a unified architecture. The visual appeal of the renovated city, along with other factors such as the high quality of the art schools, caused Impressionism to take off in Paris around this time (Thomson 2000: 19-20). Impressionist painters wanted to capture the present, not historical or idealistic scenes. For this reason, they painted boulevards, parks, train stations, and other places that were important to modern Paris life. Human figures were important subjects in their paintings, since one of the most effective ways to depict modern life is to show the people living in it. Beyond what they painted, Impressionists conveyed the modern city through their style of painting. They used techniques that emphasized that the scene was a moment in time. Many of their paintings were sketch-like, using thin but visible brushstrokes. They depicted light and shadows accurately, which often set the painting at a certain time of day. Also, they conveyed a sense of movement in their paintings, especially in human figures. These factors allow viewers to believe that the subjects of a painting w... ... considered documents of Paris capital of modernity to a great extent. Their subjects, style, and juxtaposition of the transitive and the eternal give effective depictions of life in Paris at the time. Impressionist paintings will stand alongside written documents as records of late nineteenth century Paris for years to come. Works Cited "Guide to Impressionism." National Gallery, London. Web. 12 Nov 2010. . "Kimbell Art Museum." Web. 12 Nov 2010. . "Luncheon of the Boating Party." The Phillips Collection. Web. 12 Nov 2010. . Belinda Thomson, Impressionism. Origins, Practice, Reception (Thames and Hudson, 2000). Impressionist Paintings as Documents of Paris Capital of Modernity Ess Impressionist Paintings as Documents of Paris Capital of Modernity Impressionist paintings can be considered documents of Paris capital of modernity to a great extent. This can be seen in their subjects, style of painting, and juxtaposition of the transitive and the eternal. The phrase Paris capital of modernity refers to the time in the second half of the nineteenth century when Paris was considered one of the most innovative cities in the world. This was largely a result of Haussmann’s renovation of the city between 1851 and 1869. A Prefect of Paris under Napoleon III, he transformed Paris into a city with wide streets, new shops and cafes, and a unified architecture. The visual appeal of the renovated city, along with other factors such as the high quality of the art schools, caused Impressionism to take off in Paris around this time (Thomson 2000: 19-20). Impressionist painters wanted to capture the present, not historical or idealistic scenes. For this reason, they painted boulevards, parks, train stations, and other places that were important to modern Paris life. Human figures were important subjects in their paintings, since one of the most effective ways to depict modern life is to show the people living in it. Beyond what they painted, Impressionists conveyed the modern city through their style of painting. They used techniques that emphasized that the scene was a moment in time. Many of their paintings were sketch-like, using thin but visible brushstrokes. They depicted light and shadows accurately, which often set the painting at a certain time of day. Also, they conveyed a sense of movement in their paintings, especially in human figures. These factors allow viewers to believe that the subjects of a painting w... ... considered documents of Paris capital of modernity to a great extent. Their subjects, style, and juxtaposition of the transitive and the eternal give effective depictions of life in Paris at the time. Impressionist paintings will stand alongside written documents as records of late nineteenth century Paris for years to come. Works Cited "Guide to Impressionism." National Gallery, London. Web. 12 Nov 2010. . "Kimbell Art Museum." Web. 12 Nov 2010. . "Luncheon of the Boating Party." The Phillips Collection. Web. 12 Nov 2010. . Belinda Thomson, Impressionism. Origins, Practice, Reception (Thames and Hudson, 2000).